{"id":77,"date":"2024-11-08T10:45:15","date_gmt":"2024-11-08T10:45:15","guid":{"rendered":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/?page_id=77"},"modified":"2026-04-24T08:54:57","modified_gmt":"2026-04-24T08:54:57","slug":"publications","status":"publish","type":"page","link":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<nav class=\"is-responsive items-justified-center alignwide wp-block-navigation is-content-justification-center is-layout-flex wp-container-core-navigation-is-layout-a89b3969 wp-block-navigation-is-layout-flex\" aria-label=\"Navigation\" \n\t\t data-wp-interactive=\"core\/navigation\" data-wp-context='{\"overlayOpenedBy\":{\"click\":false,\"hover\":false,\"focus\":false},\"type\":\"overlay\",\"roleAttribute\":\"\",\"ariaLabel\":\"Menu\"}'><button aria-haspopup=\"dialog\" aria-label=\"Open menu\" class=\"wp-block-navigation__responsive-container-open\" 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wp-block-home-link\"><a class=\"wp-block-home-link__content wp-block-navigation-item__content\" href=\"https:\/\/ahi.maynoothuniversity.ie\/brokensong\" rel=\"home\">Home<\/a><\/li><li class=\" wp-block-navigation-item is-style-arrow-link wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/the-brokensong-team\/\"><span class=\"wp-block-navigation-item__label\">Project Team<\/span><\/a><\/li><li class=\" wp-block-navigation-item is-style-arrow-link wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/publications\/\"><span class=\"wp-block-navigation-item__label\">Publications<\/span><\/a><\/li><li class=\" wp-block-navigation-item is-style-arrow-link wp-block-navigation-link\"><a class=\"wp-block-navigation-item__content\"  href=\"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/call-for-papers\/\"><span class=\"wp-block-navigation-item__label\">Conference<\/span><\/a><\/li><\/ul>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/nav>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Events \/ Workshops \/ Panels<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>2025<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">\u2018WHY WORCESTER?\u2019<\/h4>\n\n\n\n<p>AMS-SMT Joint Annual Meeting Minneapolis, 6\u20139 November 2025<\/p>\n\n\n\n<p>3-paper panel session organized and presented by the ERC-BROKENSONG project.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">Pre-MEC ERC-BROKENSONG Workshop<\/h4>\n\n\n\n<p>City, University of London, MONDAY 2nd June 2025<\/p>\n\n\n\n<p>Afternoon workshop on developing encoding standards for pre-mensular and Insular notations organized and led by the BROKENSONG project.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">BENEDICAMUS and BROKENSONG<\/h4>\n\n\n\n<p>University of Cambridge, St John\u2019s College, FRIDAY 9th MAY 2025<\/p>\n\n\n\n<p>Joint Workshop of the ERC-Funded Research Projects BENEDICAMUS: Musical and Poetic Creativity for A Unique Moment in the Western Christian Liturgy (University of Cambridge) and BROKENSONG: Polyphonic Singing and Communities of Music Writing in Medieval Britain and Ireland, c.1150\u2013c.1350 (Maynooth University)<\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Peer-Reviewed Articles and Book Chapters<\/h2>\n\n\n\n<ul start=\"1\" class=\"wp-block-list\">\n<li>Eric Nemarich, &#8216;Finding a Place for Books of Polyphony at St Paul&#8217;s, London, c. 1230\u20131295&#8217;, <em><strong>Plainsong and Medieval Music<\/strong><\/em> (forthcoming).<\/li>\n\n\n\n<li>Johanna-Pauline Th\u00f6ne, &#8216;From Compilation to Reuse at Late Medieval Bury St Edmunds: The Motet Endleaves of Oxford, Bodleian Library, MS e. Mus. 7&#8217;,&nbsp;<em><strong>Early Music<\/strong>&nbsp;<\/em>(forthcoming).<\/li>\n\n\n\n<li>In\u00eas Trindade, &#8216;Two 12th-century Missal Fragments at Worcester Cathedral Library (WO Add. 68, 1 and C. 871): A Codicological, Palaeographical and Liturgical Analysis&#8217;, <em><strong>Early Music<\/strong>&nbsp;<\/em>(forthcoming).<\/li>\n\n\n\n<li>Eric Nemarich, &#8216;Lost Collections of Polyphony in 13th-century England&#8217;, <em><strong>Early Music<\/strong>&nbsp;<\/em>(forthcoming).<\/li>\n\n\n\n<li>Karen Desmond,&nbsp;&#8216;A Music Roll in Princeton and its Origins in Thirteenth-century Yorkshire&#8217;,&nbsp;<em><strong>Plainsong and Medieval Music<\/strong><\/em>&nbsp;35, no. 1 (2026), 25-51,&nbsp;<a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.1017%2FS0961137125100429&amp;data=05%7C02%7CEric.Nemarich%40mu.ie%7C42336e1196484418ab9608dea1267942%7C1454f5ccbb354685bbd98621fd8055c9%7C0%7C0%7C639125383764727006%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=dj%2BU9UEPsWdRfwgqYF1Q7BITsbQ6Nqh09CVuUILE3hw%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1017\/S0961137125100429<\/a>&nbsp;(open access).<\/li>\n\n\n\n<li>Karen Desmond, &#8216;W. de Wicumbe as a Composer of Alleluya Rondelli&#8217;, in&nbsp;<em>Composers in the Middle Ages<\/em>, ed. Ga\u00ebl Saint-Cricq and Anne-Zo\u00e9 Rillon-Marne, 195\u2013221 (Woodbridge: The Boydell Press, 2024), <a href=\"https:\/\/doi.org\/10.1515\/9781805434726-015\">https:\/\/doi.org\/10.1515\/9781805434726-015<\/a> (open access).<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Medieval Music Rolls, Scribes and Performance: The Extant Rolls of Thirteenth-century English Polyphony&#8217;, in&nbsp;<em>Manuscripts and Performances in Religions, Arts, and Sciences<\/em>,&nbsp;ed. A. Brita et al., 189\u2013210 (Berlin, Boston: De Gruyter, 2024),&nbsp;<a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fdoi.org%2F10.1515%2F9783111343556-007&amp;data=05%7C02%7CEric.Nemarich%40mu.ie%7Cf9efac60b9fe4d717e5508dcfcc29135%7C1454f5ccbb354685bbd98621fd8055c9%7C0%7C0%7C638663159789555067%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=xw5ZyCiYYRhhmozf1cxnvkLDj2ARDzJ7Ttf1YvRhPOk%3D&amp;reserved=0\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1515\/9783111343556-007<\/a>&nbsp;(open access).<\/li>\n<\/ul>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading alignwide has-text-align-center\">Conference Papers and Invited Talks<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>2025<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Karen Desmond and Johanna-Pauline Th\u00f6ne, &#8216;Recovering Medieval Music from Fragmentary and Damaged Manuscripts&#8217;,&nbsp;Conference paper, <strong>Workshop of Image Analysis for Manuscript Data (WIAM), University of Cambridge<\/strong>, 2 December 2025.<\/li>\n\n\n\n<li>In\u00eas Nunes Trindade, &#8216;Twelfth-century Liturgical Fragments at Worcester Cathedral&#8217;, Conference paper, <strong>Books, Music, and the Liturgical Life of the Medieval Church, University of Helsinki (City Centre Campus) and the National Library of Finland<\/strong>, 13\u201314 November 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Worcester II&#8217;, Conference paper,&nbsp;<strong>AMS-SMT Joint Annual Meeting<\/strong>, Minneapolis, MN, 6\u20139 November 2025.<\/li>\n\n\n\n<li>Johanna-Pauline Th\u00f6ne, &#8216;Worcester III&#8217;, Conference paper,&nbsp;<strong>AMS-SMT Joint Annual Meeting<\/strong>, Minneapolis, MN, 6\u20139 November 2025.<\/li>\n\n\n\n<li>Eric Nemarich, &#8216;Worcester I&#8217;, Conference paper,&nbsp;<strong>AMS-SMT Joint Annual Meeting<\/strong>, Minneapolis, MN, 6\u20139 November 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Approximations of Angelic Song: Earthly and (Imagined) Heavenly Soundscapes in the Ritual Performance of Polyphonic Alleluyas&#8217;, Conference paper,&nbsp;<strong>En Plein Air: Soundscapes of Ritual and Festivity in Europe and beyond from the Middle Ages to the Present, Complesso museale Santa Maria della Scala<\/strong>, Siena, 24\u201326 September 2025.<\/li>\n\n\n\n<li>&#8216;Scattered Fragments of Medieval English Polyphony: Tracing Histories of Lost Music Books in the Bodleian Library Collections&#8217;, Invited lecture (presenting research supported by an Albi Rosenthal Visiting Fellowship in Music at the Bodleian Libraries), <strong>Bodleian Coffee Hour, University of Oxford<\/strong>, 19 September 2025.<\/li>\n\n\n\n<li>Johanna-Pauline Th\u00f6ne, &#8216;Traces of Contrafacture and Reworking in the Motet Collection Oxford, Bodleian Library, MS e. Mus. 7&#8217;, Conference paper, <strong>Medieval and Renaissance Music Conference, Newcastle University, Durham University, Northumbria University<\/strong>, 30 June\u20134 July 2025.<\/li>\n\n\n\n<li>Eric Nemarich, &#8216;Polyphony in Thirteenth-century England: The Documentary Evidence&#8217;, Conference paper, <strong>Medieval and Renaissance Music Conference, Newcastle University, Durham University, Northumbria University<\/strong>, 30 June\u20134 July 2025.<\/li>\n\n\n\n<li>Eric Nemarich, &#8216;Polyphony in Thirteenth-century England: The Documentary Evidence&#8217;, Conference paper, <strong>Society for Musicology in Ireland 23rd Annual Plenary,&nbsp;University College Dublin<\/strong>, 18\u201320 June 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Polyphony in the Convent: The Case for Late Medieval Shouldham&#8217;, Conference paper,&nbsp;<strong>Society for Musicology in Ireland 23rd Annual Plenary,&nbsp;University College Dublin<\/strong>, 18\u201320 June 2025.<\/li>\n\n\n\n<li>Johanna-Pauline Th\u00f6ne, &#8216;Anglo-French Musical Relations in the Fourteenth Century: Contextualising the Motet Collection Oxford, Bodleian Library, MS e. Mus. 7&#8217;, Conference paper, <strong>Society for Musicology in Ireland 23rd Annual Plenary,&nbsp;University College Dublin<\/strong>, 18\u201320 June 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;The Encoding of Insular Polyphony in English Mensural and Pre-mensural Notations&#8217;, Conference paper,&nbsp;<strong>Music Encoding Conference 2025, City, University of London<\/strong>, 3\u20136 June 2025.<\/li>\n\n\n\n<li>In\u00eas Nunes Trindade, &#8216;The Discovery of a Substantial Twelfth-century Missal Fragment at Worcester Cathedral&#8217;, Conference paper, <strong>BENEDICAMUS and BROKENSONG, University of Cambridge, St John&#8217;s College<\/strong>, 9 May 2025.<\/li>\n\n\n\n<li>Eric Nemarich, &#8216;Finding a Place for <em>Libri Organorum<\/em> at St Paul&#8217;s, London&#8217;, Conference paper, <strong>BENEDICAMUS and BROKENSONG, University of Cambridge, St John&#8217;s College<\/strong>, 9 May 2025.<\/li>\n\n\n\n<li>Johanna-Pauline Th\u00f6ne, &#8216;The Motet Collection Oxford, Bodleian Library, MS e. Mus. 7: Contexts, Chronologies, and a Case Study&#8217;, Conference paper, <strong>BENEDICAMUS and BROKENSONG, University of Cambridge, St John&#8217;s College<\/strong>, 9 May 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Networks of Polyphony in 14th-century England, and Possible Connections to Shouldham&#8217;, Invited paper for the conference&nbsp;<strong>Leading Women in Medieval Religious Communities, Notre Dame University London Global Gateway<\/strong>, 7\u20139 March 2025.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Introducing BROKENSONG: Fragmentary Manuscripts and the Reconstruction of Insular Musical Communities, c.1150 to c.1350&#8217;, Invited lecture,&nbsp;<strong>DCU Musicology Seminar Series, Dublin City University<\/strong>, 19 February 2025.<\/li>\n\n\n\n<li>In\u00eas Nunes Trindade, &#8216;The Veneration of Saint Scholastica in the British Isles: The Worcester Gradual F. 160 as Case Study&#8217;, Conference paper, <strong>Joint SMI and ICTM-IE Postgraduate Conference, Trinity College Dublin<\/strong>, 16\u201317 January 2025.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\"><strong>2024<\/strong><\/p>\n\n\n\n<ul start=\"1\" class=\"wp-block-list\">\n<li>Karen Desmond, &#8216;In Pieces: Introducing the BROKENSONG Project&#8217;,&nbsp;Invited lecture, <strong>Seminar in Musicology,&nbsp;University College Dublin<\/strong>, November 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Broken Songs: Reconstructing Insular Polyphony, c.1150 to c.1350&#8217;,&nbsp;Invited paper for <strong>Reconstructing and Resounding Early Music,&nbsp;Haute \u00c9cole de Musique, Gen\u00e8ve &amp; Universit\u00e9 de Gen\u00e8ve<\/strong>; <strong>EPHE\/PSL<\/strong>, Geneva, October 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;A Music Roll and its Origins in 13th-century Yorkshire: A Re-examination of Princeton, University Library, MS Garrett 119&#8217;, Conference Paper,&nbsp;<strong>Royal Musical Association 60<sup>th<\/sup>&nbsp;Annual Conference<\/strong>,<strong> <\/strong>London, September 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Repetition and the Polyphonic Alleluya&#8217;,&nbsp;Invited lecture, <strong>Medieval Song Lab,&nbsp;Yale University<\/strong>, November 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;A Music Roll and its Origins in 13th-century Yorkshire: A Re-examination of Princeton, University Library, MS Garrett 119&#8217;,&nbsp;Conference paper,&nbsp;<strong>Medieval and Renaissance Music Conference<\/strong>,<strong> <\/strong>Granada, 6\u20139 July 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;The Worcester Sound: Detecting &#8220;Communities of Style&#8221; in Medieval Polyphony&#8217;, Conference paper,&nbsp;<strong>Digital Technologies Applied to Music Research: Methodologies, Projects and Challenges, Universidade NOVA de Lisboa<\/strong>, June 2024.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;In Pieces: Introducing the BROKENSONG Project&#8217;, Invited lecture,&nbsp;<strong>Department of Music Seminar Series, Maynooth University<\/strong>, March 2024.<\/li>\n<\/ul>\n\n\n\n<p class=\"has-text-align-center\"><strong>2023<\/strong><\/p>\n\n\n\n<ul start=\"8\" class=\"wp-block-list\">\n<li>Karen Desmond, &#8216;Repetition in the Insular Polyphonic Alleluya and the Integrity of Plainchant&#8217;,&nbsp;Conference paper, <strong>AMS-SMT Joint Annual Meeting<\/strong>, Denver, CO, November 2023.<\/li>\n\n\n\n<li>Karen Desmond, &#8216;Measuring Polyphony: An Editor for Encoding Mensural Music&#8217;,&nbsp;Conference paper, <strong>Medieval and Renaissance Music Conference<\/strong>,&nbsp;Munich, July 2023.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Events \/ Workshops \/ Panels 2025 \u2018WHY WORCESTER?\u2019 AMS-SMT Joint Annual Meeting Minneapolis, 6\u20139 November 2025 3-paper panel session organized and presented by the ERC-BROKENSONG project. Pre-MEC ERC-BROKENSONG Workshop City, University of London, MONDAY 2nd June 2025 Afternoon workshop on developing encoding standards for pre-mensular and Insular notations organized and led by the BROKENSONG project. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-77","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/pages\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":64,"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/pages\/77\/revisions"}],"predecessor-version":[{"id":424,"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/pages\/77\/revisions\/424"}],"wp:attachment":[{"href":"https:\/\/ahi.maynoothuniversity.ie\/brokensong\/index.php\/wp-json\/wp\/v2\/media?parent=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}